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PLACE OF SKULLS: As A Dog Returns (Album Review)

By Kate Wilcox

Release Date: April 4th, 2011
Review Date: March 26th, 2011
Label: Volcom

My rating:



    Track Listing:
  1. The Maker
  2. Breath of Life
  3. Though He Slay Me
  4. Psalm
  5. Dayspring
  6. Timeless hearts
  7. He's God
  8. Desperation
  9. As a Dog Returns

Ex-Pentagram guitarist Victor Griffin and co-founder of Place of Skulls, along with bassist Lee Abney and drummer Tim Tomaselli are re-releasing their latest album, "As a Dog Returns". It was already released in the U.S. in 2010 but is finally seeing a release in Europe early this April. Griffin has been a legend of heavy riffs, definitely up there with former Skulls guitarist and vocalist Scott "Wino" Weinrich. With this release, they've managed to step outside of the box bringing more of a bluesy edge to the music.

So let's talk about the lyrical content for a second. There is no doubt that Victor has a love for Jesus and Christianity as he's shown in his past work but this is 100% a Christian rock album. Some listeners might be put off by this. I myself am not a Christian or religious and do not usually enjoy any type of Christian rock but I tried to get past this and focus on the music. That's what it's about when you get down to it. I find some lyrics on the other extreme to be absolutely ridiculous but the music is incredible. So who am I to judge really?

The opening track "The Maker" (keeping an open mind, really am) starts out with heavy riffs in traditional doom fashion that keeps you grooving throughout. Place Of Skulls brings in more of a ballad with "Breath of Life" while Victor continues with his praise of ... you know. "Psalm" intrigued me with its ambience and haunting vocals that are then opened up to some heavier riffs about halfway through. It remains laid back but is not boring in any way. Griffin's vocals are rich and full of emotion.

"Timeless Hearts" is probably more of a blues tune than anything else, and is probably one of the heaviest tracks on the album. Vocals are raw and guitars are chugging in a somber fashion carrying some Black Sabbath influence. The album closes out with the self-titled track that starts off a bit mellow but changes back into that groove that's very prominent throughout "As a Dog Returns" with a killer guitar solo. I encourage fans everywhere to get past the lyrics and give it a shot. It's a solid album throughout and worth your attention.

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